MANISHA SAMRA
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Session 12: Back to the Future: The 1980's

16/12/2020

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Blog Task 12:

​A visual mood board of 1980’s culture - showing examples of ‘official’ and ‘unofficial’ culture. 

1980's

The 1980’s focused towards social, political, economic and cultural aspects which was influenced throughout the political scenes, movies and films, music, technology, etc…
During the session we learned about Margret Thatcher and ‘Thatcherism’ which played an important role in society at the time. To Take on the task I have 1 collage each for ‘Unofficial’ and ‘Official’ culture during the 1890’s.

Official

unofficial 

official culture were the most popular within media and society, in which made the 80's well known as they continued to grow. EastEnders is one of the most notable as it tackles problems such as teenage pregnancies, mental health - depression, being lgbt, Prince being another who was an excellent artist who catered to black people and used his songs to talk about real life situations. 
unofficial culture is the opposite, hence the name... these where the few things that happened in the 80s but wasn't as popular or just overall lesser known about these would often be describes as underground especially when it came to music and films. 

session notes 

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Session 11: The New York Design Influence

9/12/2020

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Task 11

(no task this week)

Session notes

Picture
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Session 10: Revolution in the Head - sixties counter culture

2/12/2020

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Task 10:
Choose one of the artists listed below... ​
  • Wes Wilson
  • Victor Moscoso
  • Rick Griffin
  • Bonnie MacLean 
  • Martin Sharp 
  • Mouse & Kelley 
  • Robert Crumb 
  • Alan Aldridge 

Collate and post a collection of representative work (i.e. work that is that artist is reknowned for) on your blog. Identify and research your chosen artists’ own artistic influences (for example, Victor Moscoso cites Joseph Albers).

​Find examples of their work to post alongside those of your chosen artist, highlighting through brief annotation, where that influence can be recognised (if at all). Please make sure all images are credited to the artist and image source.

Bonnie MacLean
(1939-1960/70s)

​
Bonnie MacLean, born in Philadelphia, 1939 and grew up in Trenton NJ. Bonnie was the only female artist in San Francisco to design posters. Wes Wilson was a main poster artist for the Fillmore Auditorium but eventually quit over a dispute over money in which MacLean stepped in and took over his job in 1967.
​
MacLean’s earlier work has been based on Wilson’s where her images are straightforward based on Medieval, Gothic and European sources within her drawing and lettering. Over the years her poster art matured in developing and identifying as she became comfortable, this led her to find a unique style that would celebrate portraiture and swirling, psychedelic typography.
 
Pink Floyd, Jefferson Airplane, The Who and The Doors are some of the most notable bands that MacLean promoted through her Illustrative posters.

MacLean experimented in bright contrasting colours in 1967 which would incorporate optical illusions. Her designs where also influenced by the Art Nouveau Movement. 
[PSYCHEDELIC ROCK CONCERTS.] Group of 7 posters , 1967
The Yardbirds & The Doors , 1967
Pink Floyd , 1967
THE DOORS / CHUCK BERRY / SALVATION AND MANY OTHERS CONCERT POSTER , 1967
NEW YEARS EVE / JEFFERSON AIRPLANE , 1967
Bonnie MacLean Gallery
Bonnie MacLean Illustrations
Bonnie MacLean - The New York Times
The Art of Influence: 60s Poster Artist Bonnie MacLean
Picture
[PSYCHEDELIC ROCK CONCERTS.] Group of 7 posters , 1967 - Bonnie MacLean
Picture
BG-55 :: March 17-18, 1967 :: featuring Chuck Berry, Grateful Dead, Johnny Talbot and De Thangs - Wes Wilson
I have taken Wes Wilson's poster as an influence on one of MacLean's work. The influence shows among the colours and how they've both used monochromes with hints of black, In MacLean's poster she has used lighter hues for the text and skin compared to Wilson who's text is brighter than the skin on the illustration of the female. 

The layout is overall similar as the texts curve around the space, with MacLean's she has it part of the females attire compared to Wilson's who's is shoved to the left hand side - both pieces being a bit hard to read though there are some words are still eligible to read. 

The compositions are somewhat similar as well for most of MacLean's work but for this specific work she focuses more in the centre of the image  where your eyes lead around the text to her face. Wilson's composition is a bit tricky to identify as it feels squished though the snakes that wrap around the females body does lead away from the text and more to the female. 

Grateful Dead, James Cotton Blues Band, Lothar & the Hand People at the Fillmore Auditorium, November 18-19, 1966 (1986)
Moonalice, Ann Atomic, & Flying Other Brothers at the Great American Music Hall, October 4, 2012
Not all of his posters had names, but all the images are on his blog page:
Wes Wilson Posters

Session notes

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    Manisha Kaur Samra

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  • Home
  • Univerisity
    • Year 1 >
      • Workshop
      • History & Practice
      • Introducing Visual Communication >
        • Telling Stories
        • Nursery Rhyme
        • Old School
        • Master Forger
        • Perspective
        • The Tree
        • Thumbnail Visuals
        • Colour Theory
      • Muli-Dimensional Illustration >
        • end of year submission
      • Visual Problem Solving >
        • Type Selfie + Quiz
        • DIY Alphabet
        • Ampersands
        • Handlettering
        • 2 Become 1
        • Helvetica
        • Type Talk
    • Year 2 >
      • the critical illustrator
      • ILLUSTRATOR'S TOOLKIT
    • Year 3 >
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      • Advanced Illustration Projects
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